this-italian-island-has-a-scintillating-sexy-past Zannone might be a mere state-owned example of Italian beauty if it weren’t for the Marquis Casati Stampa and his wife Anna Fallarino.....
And her son..--
The striking thing in the theme of both is the Ascendant in Leo almost to the same degree. The Marquis at 24 °, 27 ° to his wife. In addition to understanding life in the same way because the houses fall in the same signs, it suggests that the planets transit pass away in their homes at a very short distance, allowing many ways similar experiences and lived in the same way.
They both then a Neptune in Leo and the first house, symptomatic of restless personality, Neptune opposes a planet in the seventh. In the case of Camillo opposition to Jupiter is in Aquarius, which on one hand gives a wedding opportunist but in his own way through the lucky which tried - unsuccessfully - a form of balance. Neptune and Jupiter are also lords of his fifth house in Sagittarius: sexuality is so restless and unsatisfied, while changing and immobilistica. Dissatisfaction also pervades the whole personality of the Marquis, basically depressed and unstable. The opposition between Jupiter and Neptune in fact off his love of life and manages to do just to stay afloat thanks to the marriage, the sex of the fifth lived however as ritual and almost theatrical representation. Pièce where the Marquis has the role of director and deus ex machina. The Neptune Anna is instead much better because it opposes yes to Mercury in Fish and early seventh (communication difficulties within marriage), but both planets are redeemed lavishly by Saturn, Venus and Mars. You are not annasperebbe at all, even if he can not be alone, while he is in Anna his only lifeline. But let us return to try to understand the Marquis in his chart a Saturn isolated in fourth (the family but with the important which there was no dialogue), a Sun conjunct Mercury in the fifth, both opposed to Pluto in eleventh and trine to Mars in Taurus and ninth.The demon Plutonian dissatisfaction paws, quivers, not satisfied but finds redemption in Mars in Taurus, aggressive, domineering and jealous. Judging by the chart, Camillo Casati Stampa had no physical problems with respect to sexuality, but he preferred to find pleasure in the way we know. And remember that in 99.99% of cases impotence - if this had been his case, but I would doubt it - is only psychological and not physical. The Toro is also tied to the eye and, if with Jupiter in the seventh he wanted to have a wife to look at and show, also at its Mars do not mind at all the voyeur, or peeping tom to put Italian in a less refined but more explicit . Also because he had a very special vision of the feminine.The Moon in Pisces, anxious, emotional and confusing, is in eighth - house where hard to give the best of themselves, indeed - and is conjunct Uranus, which sends a sextile to Venus in Capricorn arid and sixth. If even put on a pedestal for its location in Pisces, the woman is exploited and observed through the keyhole. One imagines in dangerous situations, and the comrades who was Anna could always
be a risk, even if the danger fatal - it is understood in retrospect - it really just ran with her husband. A moon that somehow - even if technically very nice - smells of death, and death will bring. A consistent theme, that of the Marquis Camillo, in its hardness, dissatisfaction, search the extreme. As equally consistent is that of his wife Anna Fallarino in Casati Stampa. With beautiful Moon and Venus in her home signs, Cancer and Taurus: why Anna was the epitome of femininity, even triumphant. Too bad that the Sun at the end of Pisces, which indicates the relationship with the man, the partner, the husband, was bad. Yes was conjunct Uranus in Aries and suggests its ability to capture the right opportunity, but also square to Saturn and Mars, opposite each other. Ie you choose with little rationality men of questionable masculinity, as well as a certain amount of masochism involved in Pisces, accentuated by negative astral aspects. But femininity is triumphant, too. The Moon in Cancer and eleventh, joint degree to Pluto, shows a mother and her being a woman accomplice, ipersessualizzato, though projected in unusual terrain, friendly, where everything is possible, even the exchange of partners, or acquiesce to the desires of an unusual companion strange and twisted. (But perhaps beyond the initial surprise even to her mind, mind you). Yes, because the Sun in the Eighth House can explore territories obscure, perhaps forbidden, but not lived with serenity. It should be noted that if Anna has a Sun-Uranus conjunction in the eighth, her husband Camillo, has the Moon conjunct Uranus always in the eighth. Uranus, the planet of drastic cuts, the seize the moment, the fottersene of morality, in a house risky and dark as the eighth, where both were seeking partners. And where they found the end. But back to the birth chart of Anna: Venus is also the most beautiful, and she is a goddess of love, without taboos. The Saturn in the Fifth House, paradoxically then indicates that sexuality is lived in a rational way, even with the intent to please, and suffering, the cravings of the Sun Sex strange and dangerous ... But everything is fine as long as the desire is under control, and click no love, or the illusion of love. Because the Pact of Steel, in which control of the polymorphous and perverse pleasure is associated with the need for stability, not to question the marriage bond, albeit marked the most unmentionable fantasies, because the eyes and the Mars of the Marquis Camillo trovassero their enjoyment ... Anna must in fact be faithful with the heart and mind. The body is not, but he wants his wife. For it to appear on the scene Minorenti Massimo, who unwittingly will upset the balance of crazy couple. The passion, the real one, not control, and the illusion of a clean history does the rest, but without taking into account the terrible potential hazard of the Marquis consort. At the time of the final explosion of the madness of the Marquis Camillo Casati Stampa Mars - a conjunct Moon in Leo that focuses attention on the wounds of pride - was passing on the ascendant both. In the case of the Marquis, going to oppose the already problematic Jupiter in the seventh house, which received in addition the square of Neptune in Scorpio end, reiterating and expanding emotional difficulties and existential base. The man has no hope for the future. Also because his Uranus, joint birth to the Moon - the beloved Anna - receives in that summer of 1970 the opposition of Pluto and Mercury in Virgo, and second, the being fooled by the woman that you love because of a Young Man and sexually active. It must be said that the Sun Anna was perfectly joint all'Urano him, and he was in eighth (house of death), and therefore also suffered the opposition of Pluto and Mercury. Sun received the perfect trine Neptune, meaning even the illusion of change and the desire to escape from a previous situation that can not stand. Anna met the love, and want to live for that, and close with the past. But Camillo, and planetary transits, decide otherwise and in the heat of late summer explode those shots gunshot blood that will flood the palace. Bringing in the news one of the events more itchy than ever they had known in Italy, with the ultimate scandal. But the ascendant Lion of both protagonists of the tragedy might not be important. They had always lived above (perhaps even outside) of the bourgeois moral rules.
The judgment of the Court astrological
He could end up in another way this ugly affair? Who knows, but it seems very unlikely that the gloomy and depressive Marquis Camillo would have vacated Anna, the woman he loved and truly above all else but that he was also a property to give pleasure to others for their own enjoyment. And Anna, so sensual, feminine and above all inhibition, could live differently that his ugly Sun? Astro male certainly also represented her husband, but also the ultimate lover who, although innocent, was the involuntary cause of the end of it all, of their lives, a folly two for which no treatment or medicine. You can do the moralists, and give them both to blame for what happened, and if we change the word guilt in responsibility can not but agree. But we are all responsible for our actions, even when we can not understand what it will cause. To me it is the image of a couple perhaps perverse but certainly tragic, prey of a great love dirty and sado-masochistic. But it was still love, no one can ever deny it ... Love, the engine of the world, for better or for worse. email@example.com